Ondes, 2018
Ondes, 2018

cyanotypes, solarfast & screen prints of bacteria paintings made by the artist, and microscopic brain imagery (courtesy of Maria Joana Pinto & Patrick Torbey) superposed with aerial images of American landscapes destroyed by phosphate waste (courtesy of J Henry Fair), natural French and Italian pigments and linseed oil on canvas. 195cm x 130cm.

Through Footed Channels, 2018
Through Footed Channels, 2018

cyanotypes, solarfast and screen prints of the artist's bacteria paintings, microscopic brain imagery (courtesy Maria Joana Pinto & Patrick Torbey), aerial images of destroyed landscapes (Hiroshima & Rio Tinto- courtesy J Henry Fair), artist's photos of abandoned copper refinery, Japan. Natural pigments & #greenforoil on canvas. 146cm x 89cm.

Stalactificial, 2018
Stalactificial, 2018

cyanotypes, solarfast prints, screen prints and monotypes of microscopic images of basalt and the brain, and photos taken by the artist of stalactites in the Gouffre de Padirac and at an abandoned Japanese copper refinery. Japanese iwa enogu (crushed glass) pigments, French and Italian natural pigments, and linseed oil on canvas. 130cm x 97cm.

Ondes, 2018
Through Footed Channels, 2018
Stalactificial, 2018
Ondes, 2018

cyanotypes, solarfast & screen prints of bacteria paintings made by the artist, and microscopic brain imagery (courtesy of Maria Joana Pinto & Patrick Torbey) superposed with aerial images of American landscapes destroyed by phosphate waste (courtesy of J Henry Fair), natural French and Italian pigments and linseed oil on canvas. 195cm x 130cm.

Through Footed Channels, 2018

cyanotypes, solarfast and screen prints of the artist's bacteria paintings, microscopic brain imagery (courtesy Maria Joana Pinto & Patrick Torbey), aerial images of destroyed landscapes (Hiroshima & Rio Tinto- courtesy J Henry Fair), artist's photos of abandoned copper refinery, Japan. Natural pigments & #greenforoil on canvas. 146cm x 89cm.

Stalactificial, 2018

cyanotypes, solarfast prints, screen prints and monotypes of microscopic images of basalt and the brain, and photos taken by the artist of stalactites in the Gouffre de Padirac and at an abandoned Japanese copper refinery. Japanese iwa enogu (crushed glass) pigments, French and Italian natural pigments, and linseed oil on canvas. 130cm x 97cm.

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